Country and rap are two genres that, on the surface, seem antithetical to each other. However, up-and-coming country-rap artist Shaboozey begs to differ. Born Collins Chibueze, Shaboozey has been making a name for himself in the music scene for over five years now, blowing up with the song “Start a Riot” with DUCKWRTH off the “Into the Spiderverse” soundtrack.
During 2024, Shaboozey skyrocketed into mainstream success when he appeared twice on Beyonce’s newest full-length album, “Cowboy Carter.” The songs “Spaghettii” and “Sweet | Honey | Buckiin’” give a look into Shaboozey’s prowess.
Beyonce and Shaboozey’s hip-hop infused country stylings have thrown some people off, it isolates the two battling demographics in the major pop music zeitgeist. Country and Rap, at least in the past five years, gave fruitlessly battled for the throne in what ‘the culture’ needs.
To get personal for a bit, I have written in other publications about the rise of bro-country and the fall of mainstream success with hip-hop. I have also in the past been very open to epic multi-genre-spanning albums (including those under the country sphere) such as Zach Bryan’s latest album, Dolly Parton’s “Rockstar” and Beyonce’s “Cowboy Carter.”
Well, my socks have been knocked-off once again by a prolific, subversive country act. Shaboozey’s “Where I’ve Been, Isn’t Where I’m Going” is one of those ‘blow-you-away’ type albums. Spanning 12 tracks and multiple different musical sub-genres, “Where I’ve Been” carefully balances country pop, americana, country rap and a surprisingly adequate take on stomp-and-holler bro-country.
“Horses & Hellcats” starts off the album pairing twangy background guitars with a foreground acoustic guitar that gives way to the husky, deep vocals of Shaboozey. The lyrics on this track create a foreboding, epic and triumphant atmosphere – perfect for an intro.
“And there’s no way out of the life that we chose/Everyone knows where it goes/Ayy, we ride palominos like they’re SRTs/Once I pick a speed, ain’t no catchin’ me,” Shaboozey sings on the chorus.
Shaboozey paints the picture of the old American West in the modern South. A story of outlaws, steeds, and regret. This opening track gives way to Shaboozey’s breakout single, “A Bar Song (Tipsy),” it’s got everything that a great modern country song needs. Clean production, dynamic lyricism, a catchy-as-hell chorus, and a charismatic lead vocalist.
Shaboozey combines classic, southern drawl with modern bro-country aesthetics not only in his lyrics, but his delivery as well.
“One, here comes the two to the three to the four/Tell ’em ‘Bring another round,’ we need plenty more/Two-steppin’ on the table, she don’t need a dance floor/Oh my, good Lord,” Shaboozey sings on “A Bar Song (Tipsy).”
This combination of great lyrics, flow, and southern delivery gives each song an authenticity that is lacking on a lot of modern country releases. You can really believe that the stories being told here are what Shaboozey has experienced in his day-to-day life, from parties to heartbreak.
This extends to a lot of the slower tracks on the album as well. Instead of a brazen bravado, Shaboozey displays a kind a soft sincerity in these ballads. “East Of The Massanutten,” “Finally Over” and “Let It Burn” are tracks you’d find playing beside the calm, embers of a recently put out fire at a friends’ campsite.
In contrast, Shaboozey really puts the ‘party’ In party tracks. “A Bar Song (Tipsy),” “Anabelle” and “Vegas” all bring a fun and enthusiastic atmosphere to the album and act as good singles.
While there are no bad tracks on this record, there are one or two tracks that do not explore one of those two pre-established atmospheres and feel lost in comparison.
“Drink Don’t Need No Mix” and “Steal Her From Me” both have that meandering quality to them, along with lyricism by Shaboozey that is not the most impressive.
“’Cause nothin’ last forever/And momma raised me better/See, these girls belong to the streets/What goes around comes around/And karma, she’ll haunt you down,” Shaboozey sings on “Steal Her From Me.”
Overall, this record from Shaboozey (not unlike a lot of subversive country records) has really impressed me and I am looking forward to see what road he will go down next.