This year has brought some really great music so far, from summer bops, to melancholic winter ballads, 2024 has been an incredibly well-rounded year for music so far. The year is halfway done as of next week, and with this (along with every other music blog) I will be counting down the best albums released so far this year.
To qualify for this list, an album would have to have been released this calendar year, as well not be confused with an EP (extended play) or a single. With this, I have gathered ten records that are varied in genre and tone, and generally stand out to me this year. These are not in any particular order.
Arooj Aftab – “Night Rein”
Jazz has not always been my thing, but with Arooj Aftab’s record, “Night Rein” I feel as though my love for jazz is finally surfacing in my year-end lists. “Night Rein” is a contemplative record that sparked not only me writing this list, but it solidified my affinity for indie artists. I put “Night Rein” here on the first spot because I feel as though it has not gotten a ton of love since it has came out. My favorite tracks on the record are “Na Gul” and “Raat Ki Rani.”
Beyoncé – “Cowboy Carter”
Beyoncé’s eighth studio record is genre-defying, groovy, you can dance to it, has a huge country influence, and I really love it. “AMERIICAN REQUIEM” and “II HANDS II HEAVEN” are my favorite tracks on the record and encapsulate the vibe really well: a soulful and heartfelt tribute to country, while also being quite the modern pop masterclass. Beyoncé’s cunning lyricism and ear for the old and new make her a current front-runner for album of the year at the Grammys, and award she has not won yet, but with this record, her goal is closer than ever.
Charli XCX – “Brat”
Brat, to me, is a once in a lifetime pop record. As I stated in my review of it two weeks ago: “’Brat’ by Charli XCX being this good does not make sense…‘Brat’ is confusing as it is liberating…” and I absolutely stand by this sentiment. Charli’s commercial and critical success with this record, (it is currently the number one rated album on the aggregate review site, Metacritic for 2024) is staggering to say the least. She has been on a rise since 2013, with early pop hits, then transitioning to underground electronic-pop fame, and now it seems everything has gone full circle with “Brat.” Charli has made a pop-hit record but stuck to her morals and her friends, no matter how hard it was.
Eunuchs – “Harbour Century”
One of the most blistering and fast-paced rock albums to have come out within the last five years, “Harbour Century” by Australian brutal progressive-rock band Eunuchs (think Black Midi or Mr. Bungle) is definitely a unique record. It juxtaposes crooning and melodic vocals with striking and angular guitar, drum, and saxophone instrumental breaks. Tracks I would recommend out of this one would be “Pat A Dragon” and “Bird Angel Dynasty.”
Cindy Lee – “Diamond Jubilee”
This one is hard to recommend because of just how inaccessible it is. You can only download it off of a GeoCities website, (a place on the internet I’ve never heard of before.) However, once you cross that barrier to entry, you’ll find one of the best kept secrets of 2024. “Diamond Jubilee” is a double-album worth downloading and worth listening to. It is for fans of psychedelic and hypnogogic-pop music (a la Ariel Pink, Flaming Lips or Animal Collective.)
The Lemon Twigs – “A Dream Is All I Know”
The charming Lemon Twigs returned from a pretty successful run in 2023 with their breakout record, “Everything Harmony” and while I personally thought the record was pastiche and lukewarm, lacking any real style and standout lyricism, their 2024 album, “A Dream Is All I Know,” is their best record to date. It is precise, compact and filled with amazing lyrics and incredible sunshine pop. “Ember Days” is one of my favorite songs of the year so far.
Chief Keef – “Almighty So 2”
As stated in my review on a previous edition of Tuned-In Thursday, I think this record is great. It’s bombastic, boastful, but most importantly it is well constructed and put-together. I will end this section with a piece from my review: “Chief Keef is arguably the most comfortable he has ever sounded, no awkward flows, no whack-sounding bars – all precision and all skill. Boastful yet introspective lyrics are what I usually look for on the lyrical side of a modern rap record and Chief Keef effortlessly delivers.” The best tracks on this LP are “Jesus” and “1,2,3.”
Amaro Freitas – “Y’Y”
Brazilian jazz musician and composer Amaro Freitas went on a retreat to an Amazonian basin where he experienced nature and the people who reside within the Amazon. Through this worthwhile experience he invites us in to a lush and beautiful landscape that acts not only as a personal diary of his travels, but a spiritual guide to the self. Freitas’s Bandcamp page write-up puts it best, “While Side A of Y’Y serves as an expression of connection to the earth and to the ancestors, Side B serves as proof of connections between the global Black avant-jazz community.” My favorite track on the record is the last track, “Encantados.”
Martha Skye Murphy – “Um”
“Um” by Martha Skye Murphy (guest vocalist on the infamous “Narrator” by Squid) is an odd egg – not a spoiled one though – just odd. On paper, the ambient and electroacoustic elements should not mix with the pop and rock ones. However, Murphy has created a sentimental and reflective world that tackles subjects such as para-social relationships, existentiality, self-image and the nature of a world constructed by humans. These philosophical musings don’t go over the casual listener’s head, Murphy simply invites the audience in, and gives her worthwhile perspective. Standouts on this one are “IRL,” “Kind,” and “Pick Yourself Up.”
Black Dresses – “Laughingfish”
Black Dresses’ “final” album stands alone as one of their boldest and brashest. It mixes industrial soundscapes with electronic and rock instrumentals. Duo Ada Rook and Devi McCallion have been making music together for over 8 years, but this record seems more like a sincere break-up album. Songs like “Wounded Animal” and “If You Find Me Gone” are not for the faint of heart or for the casual listener, because of this, “Laughingfish” is really hard to recommend, however, if you like bands like Rammstein and Nine Inch Nails, listen to this but proceed with caution. But if this is a true sendoff then it is one hell of one.